Speaks of the plight of the middle class youth | "Ineligible" by Bijaya Kumar Mishra

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“Ineligible” by Bijaya Kumar Mishra is so Indian in its look and feel, that it perhaps is a brainchild of the partly orthodox Indian way of thinking.

Eligibility is a scary thing. Eligibility snatches opportunities, makes us smack down headfirst. But eligibility also unlatches the lock of hidden chances, and elevates our morale.

Saahil and Varsha are madly in love. But Varsha’s overprotective, wealthy brother Mr.Dev isn’t ready to give Varsha’s hand in marriage to an orphaned, unemployed man like Saahil—who doesn’t have any asset of his own. To test his determination, he puts down four eligibility criteria for Saahil. To marry Varsha, he must have a monthly income of one lakh rupees, a house, a car and a bank balance of ten lakh rupees. In the course of his venture, he stumbles and fails, and interacts with many interesting people. Will he be able to emerge victorious before Varsha is married off to someone else?

This book serves as an extension of the middle-class Indian way of thinking. Heavy with unfulfilled desires and broken promises, it advances in huffs and puffs—just like life does. To enhance this ‘lifelike’ quality that it possesses, the characters seem very simple and next door. Saahil perhaps upholds the plight of the unemployed youth of the modern metropolitan society. He has degrees, numerous qualifications and is kind at heart. But we see him struggling even to get a decent salary at the end of the month. Heavy with hopelessness and betrayal, he communicates the failure of the degree-based education system. Varsha, on the other hand, seems to echo the suppressed feelings of the women in the household. She suffers due to the male dominance and has a lack of fierce opinionated affirmations. She longs to help Saahil to pass the eligibility criteria, but is often weighed down by her protective brother.

 

The conditions that are put to Saahil in order to make him suitable for the marriage, is showed to be very materialistic and superficial. Mr.Dev acknowledges the generosity of Saahil’s heart, but is reluctant to believe that he will be able to survive in the complex societal jungle. The added restrictions therefore symbolise the cruel game of money-making and asset acquisition. As Saahil climbs up the financial ladder and acquires experience, we are made familiar with the imperfect, makeshift operating procedures companies often undertake. We see people not keeping their word, backing out due to economic constraints and in all, a glimpse of the ordinary life of the middle-class youth is shown.

The author’s diction is jerk-free and plot-driven, without resorting to any literary splendour. Simplistic and fluid, the story progresses at a consistent pace with barely any lag. Due to the incorporation of occasional comparative metaphorical details, the book carries the essence of a true, prolonged novel. There is a balanced division of role to the minor and major characterisations, and they keep on adding to the primary storyline effortlessly. A little more complexity was expected in the mindsets of the protagonists, and so their actions were often very predictable. To avoid this kind of monotonicity, the author could have intertwined other sub-plots to the story and connect them to the main flow. The plot, in an overall sense, was honestly very flat and monochrome. I was looking for more crises, more intense turn of events and a good climax, but my expectations weren’t met. I felt as if the author was trying hard to tone down the adversities in the characters’ lives and in doing so, he was missing upon the engaging aspect that makes the readers hooked to the story. More unprecedented incidents, more conflicts and more spice—could have all improved the feel of the book to a great extent.

Even with all this, if you’re looking for a simple tale of compromise, determination and unconditionality of love, then this book is a good option to go for. Recommended to people who enjoy such unconventional romances, which harps on both social and familial themes.


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Disclaimer: This review is in lieu of a review copy. 




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